2 to 26 November 2016 at the Lane Cove Gallery
Jump to Artist Contact Jump to Artwork Descriptions
Artwork photos 2016
 1. Kevin Brown |  2. Warwick Wright |  3. Leon Van Vliet |
 6. Brian Dawson |  7. Brian Dawson |  8. Brian Dawson |
 11-14 Alex Springall |  15. Miko Nakamura |  16. Peter Stibilj |
 19. Catherine Gorrie |  20. Catherine Gorrie |  21. Catherine Gorrie |
 24. Catherine Gorrie |  25. Minky Grant |  26. Minky Grant |
 29. Colen Clenton |  30. Colen Clenton |  31. Colen Clenton |
 34. Azadeh Zolfigol |  35. Pouya Ghadimi |  36. Jean-Dominique Legrand |
 39. Matthew Dwight |  40. Steve Townsend |  43. David Palmer |
 46. Colen Clenton |  47. John Gallagher |  48. John Gallagher |
 51. Hape Kiddle |  52. Andrew Downie |  53. Patrick Skeen |
 56. Matthew Dwight |  57. David Palmer |  58. Fred Blake |
 61. Daryl P Lawrence |  62. Daryl P Lawrence |  63. Daryl P Lawrence |
 66. Minky Grant |  67. Minky Grant |  68. Peter Dunn |
 71. Takashi Nishiura |  4. Takashi Nishiura |  5. Brian Dawson |
 9. Brian Dawson |  10. Brian Dawson |  17. Philip Greenwood |
 18. Catherine Gorrie |  22. Catherine Gorrie |  23. Catherine Gorrie |
 27. Minky Grant |  28. Minky Grant |  32. Azadeh Zolfigol |
 33. Azadeh Zolfigol |  37. Ed Ko |  38. Brent Gerstle |
 44. David Palmer |  45. Colen Clenton |  49. Warwick Wright |
 50. Brent Gerstle |  54. Matthew Dwight |  55. Matthew Dwight |
 59. Daryl P Lawrence |  60. Daryl P Lawrence |  64. Daryl P Lawrence |
 65. Keith White |  69. Peter Stibilj |  70. Philip Greenwood |
Artist Contact
| Kevin Brown |
email: kevin@bousteadandbrown.com.au
|
| Warwick Wright |
email: warwick@grainwoodworks.com.au
|
| Takashi Nishiura |
email: takashi@japanwoodworking.com.au
|
| Brian Dawson |
email: brian@valuesystems.com.au
|
| Alex Springall |
email: alex@springall-fine-woodwork.com
|
| Peter Stibilj |
email: pstibilj@bigpond.net.au
|
| Catherine Gorrie |
email: woodturner@catherinegorrie.com
|
| Minky Grant |
email: mgrant@idx.com.au
|
| Colen Clenton |
email: colenclenton@gmail.com
|
| Matthew Dwight |
email: dwightmatt@hotmail.com
|
| Steve Townsend |
email: steve@ibis4.com
|
| John Gallagher |
email: johng@piecefurniture.com.au
|
| Daryl P Lawrence |
email: router@bigpond.net.au
|
| Azadeh Zolfigol |
email: azadeh_zolfigol@yahoo.com
|
| Andrew Downie |
email: Access_tech@iprimus.com.au
|
| Fred Blake |
email: fredblake@netspace.net.au |
| Patrick Skeen |
email: patrick.skeen@hotmail.com
|
| Keith White |
email: k.white00@bigpond.com
|
Artwork Descriptions
| 1 |
Table |
White Oak and Black Walnut console Table with dovetails draws and curved legs. 1300 x 470 x 905 mm |
| 2 |
Cabinet |
Retro sideboard in American Oak with red Laminex and glass interior. 1500 x 420 x 700 mm |
| 3 |
LED Floor Lamp |
LED Floor Lamp, with George Nelson réplica Shade |
| 4 |
Wall Mirror with light |
Round Mirror with timber frame. LED light Main frame is curved out of river red gum slab. 800 x 800 x 100 mm |
| 5 |
Wine storage cabinet |
Made of recycled maple and American oak, the cabinet has wine storage for 42 bottles. It has 2 drawers , one which holds 6 glasses. There are 6 gently curved oak ribbed sections each holding 7 bottles .This ensures that each bottle will slide to the bottom of each section, allowing automatic bottle turning. It has decorative , coloured skirting and frieze. The finish is shellac and oil. This cabinet was part of the exhibition, “Create from a Crate”, held in Melbourne 790 x 390 x 790 mm |
| 6 | Butterfly Box Brian Dawson |
Box with 2 sliding compartments and decorative butterfly top This ornate box is made of Tasmanian oak and huon pine . Each panel depicts a Scottish mountain scene and each has a gracefully curved opening, displaying the inner compartments. The lower portion of each panel consists of softly carved , flowing texture “beach”. The prominent top is a Red Admiral butterfly, common in Scotland surmounting a pyramidal textured Huon pine base. The 2 vertical drop drawers are made of Huon pine with delicately tapered camphor laurel handles . The cabinet is finished in hand rubbed natural oils 300 x 300 x 450 mm |
| 7 | Pair of Coffee tables Brian Dawson |
This pair of coffee tables is made of Monterey Cyprus sourced from the Royal Botanic Gardens in Sydney. The tree was planted circa 1890 and was 21 meters high when felled in 2013 due to a worsening structural crack. The circular infills, also from the Botanic Gardens, are African Plum. The grain has interesting and attractive patterning and the centre 2 panels are book matched. The tables can be used together or separately. 1220 x 580 x 410 mm |
| 8 | Coffee Table with curved legs Brian Dawson |
This coffee table is made of Monterey Cyprus sourced from the Royal Botanic Gardens in Sydney. The tree was planted circa 1890 and was 21 meters high when felled in 2013 due to a worsening structural crack. The grain has interesting and attractive patterning and the centre 2 panels are book matched. The 4 legs have a delicate and graceful double curve. Each leg is subtly reinforced with carbon fibre to ensure strength. Finish is shellac and oil 1200 x 650 x 440 mm |
| 9 | Folding iPad/book stand Brian Dawson |
This stand is sourced from the Royal Botanic Gardens and is made of Japanese Cedar . It is book matched to form an interesting pattern and can be set up in a variety of positions and then folded up and put away. It is finished in shellac and oil 250 x 180 x 50 mm |
| 10 | Medal Box Brian Dawson |
This box is made of English sycamore , The lid is veneered with Tasmanian sassefras on the outside and West African zebrawood on the inside. The base is Tasmanian blackwood. The coloured vertical stripes in blue, red and green represent a medal ribbon. The box is finished in shellac and oil 320 x 250 x 75 mm |
| 11-14 | Box Alex Springall |
Small box in huon pine & Australian red cedar, suitable for keys and nicknacks. 90 x 90 x 60mm |
| 15 | Sewing Box Miko Nakamura |
Made of Fumigated Oak Veneer. The lid is decorated with Marquetry of Islamic pattern. 350 x 230 x 340 mm |
| 16 | Cocktail cabinet GLIDE – SENTRY Peter Stibilj |
Tambour door cocktail cabinet of Monterey Cypress and Brown barrel made for ‘Treecycle 16’ and the Royal Botanical gardens Sydney 1000 x 400 x 1800 mm |
| 17 | Toast tongs Philip Greenwood |
Toast tongs using recycled ebony and gidgee with locally grown tropical birch – functional, useful, aesthetically and kinesthetically pleasing, life-saving devices that should be in every kitchen. 200 x 20 x 2.5 mm |
| 18 | Sculpture Catherine Gorrie |
Woodturning / Sculpture “Splendour” is a turned and carved pink oak bowl with three dainty feet, each with a different shape. Inspired by Neil Scobie’s Wave Bowl, Splendour curves in multiple directions and is lowlighted with black pyrography 220 x 220 x 90 mm |
| 19 | Bowl Catherine Gorrie |
Woodturned bowl with embossing, paint and brass escutcheon pins “Industrie” is a rosewood bowl enhanced with embossing, paint and brass escutcheon pins 190 x 190 x 80 mm |
| 20 | Sculpture Catherine Gorrie |
Woodturning / Sculpture “Sisters Three”, is a natural edge square bowl with three different shaped feet. Each part of the bowl, like each sister, is unique. The piece has been turned, carved and pierced. 100 x 120 x 70 mm |
| 21 | Bowl Catherine Gorrie |
Rosewood bowl with embossing and art ”Undercurrent”, is a rosewood bowl with swirls of embossing redolent of the deep ocean floor. Swirls of embossing enhance the bowl, along with golden underwater creatures 200 x 200 x 70 mm |
| 22 | Bowl Catherine Gorrie |
“Ying and Yang”, is a classic wide brimmed bowl inspired by the black heart sassafrass it was made from 200 x 200 x 60 mm |
| 23 | Lidded boxes Catherine Gorrie |
Group of three woodturned lidded boxes “My button Collection”, is a group of three lidded boxes with feet, each inspired by a beautiful button embedded in the lid. Artwork enhances each one. 200 x 200 x 200 mm |
| 24 | Sculpture Catherine Gorrie |
Tree with 3 leafs “Remembering”, has three leafs carved and pierced from a bowl and attached to a carved tree. 90 x 220 x 50 mm |
| 25 | Jewellery Minky Grant |
Faux perfume bottle with sterling silver on fine leather with magnetic clasp African Plum from Sydney Royal Botanic Gardens Treecycle 2016 exhibition 25 x 45 mm |
| 26 | Necklace Minky Grant |
Olive from Sydney Botanic Gardens. Flask shaped necklace with moss agate set in sterling silver with solid silver chain signed from Treecycle2016 exhibition in Sydney Royal Botanic Gardens 30 x 70 mm |
| 27 | Pendant Minky Grant |
Japanese Cedar from Sydney Royal Botanic Gardens Treecycle 2016 exhibition. Set in Sterling silver on sterling silver chain signed 30 x 45 mm |
| 28 | Brooch Minky Grant |
Huon Pine cockatoo brooch with pyrography signed on back. Hand carved 45 x 160 mm |
| 29 | 4” Square Colen Clenton |
4″ Square hand crafted from African Olivewood 100 x 150 x 16 mm |
| 30 | Squares Colen Clenton |
6″ Square hand crafted from African Olivewood 125 x 210 x 16 mm 8″ Square hand crafted from African Olivewood 140 x 250 x 16 mm 10″ Square hand crafted from African Olivewood 170 x 310 x 16 mm |
| 31 | Cutting Gauge Colen Clenton |
Cutting gauge made from African Olivewood 120 x 240 x 65 mm |
| 32 | Grape wine Azadeh Zolfigol |
Marquetry wall panel made of 1500 pieces of various wood. 905 x 720 x 60 mm |
| 33 | Pine tree Azadeh Zolfigol |
Marquetry wall panel made of 1500 pieces of various wood. 570 x 570 x 60 mm |
| 34 | Bamboo Azadeh Zolfigol |
Marquetry wall panel made of various wood. Multi Panel – 3 Pieces 250 x 225 x 10mm |
| 35 |
Table |
Tasmanian Blackwood – Inspired and traveling the journey of woodworking through Heartwood Creative Woodworking workshop which provided me an endless support to mix my knowledge and desire to express my ideas from design to prototyping and actual finished piece. 500 x 1200 x 440 mm |
| 36 |
Bench |
Rosewood bench inspired by the forms of bridge structures and the refinement of Japanese design. 1200 x 385 x 550 mm |
| 37 |
Stool |
Made of American oak 350 x 350 x 705 mm |
| 38 |
Bookstand |
Inlayed bookstand 520 x 250 x 200 mm |
| 39 |
Spatulas |
Set of four Spatulas/Wok Stirers Recycled hardwood spatulas. Made from long lasting, hardwearing beautiful recycled Australian hardwood. Set of four includes Left, Right, Curved and Straight spatulas. Perfect for use with non-stick cookware. Finished with a food safe oil and wax polish. 275 x 65 mm |
| 40 |
candlesticks |
A set of three inlaid wooden candlesticks Main wood is Alaskan yellow cedar inlaid with wenge, Brazillian bloodwood and ebony veneer. Recess at top of each to hold a standard size tea-light (supplied with spares.) 20 x 20 x 200 mm |
| 43 |
Table |
Side table with floating top made from recycled Australian Red Cedar originally as school desks in a Victorian School over 100 years ago 1000 x 400 x 620 mm |
| 44 |
Table |
Floating top table with glass protective top made from recycled Australia Red Cedar with an oiled finish 770 x 400 x 645 mm |
| 45 |
Pencil Gauge |
Pencil gauge made from African Olivewood 90 x 240 x 65 mm |
| 46 |
Scratch Awl |
Scratch Awl made from African Olivewood 50 x 200 x 50 mm |
| 47 |
Platter and Plates |
1 x Platter and 4 x Plates Tasmanian Blackwood, serving platter and small plates. Also available for orders and in different sets. Platter 500 mm x 200 mm Plates 250mm x 200 mm |
| 48 |
Platter and Plates |
1 x Platter and 4 x Plates Recycled Oregon, serving platter and small plates. Also available for orders and in different sets. Platter 500 mm x 200 mm Plates 250mm x 200 mm |
| 49 |
« Treecycle » bench |
Bench designed and made for The Royal Botanic Gardens “Treecycle” exhibition. Made from Monterey Cyprus and Outeniqua yellow wood. 750 X 450 X 1300 mm |
| 50 |
Table |
Inlayed folding table 430 x 430 x 830 mm |
| 51 |
Song For Tao |
Huon Pine 240 x 240 x 400 mm |
| 52 |
A pair of boxes |
A pair of dovetailed wooden boxes with transparent lids. Wood for the boxes is offcuts from a furniture factory, given to me as a birthday present. The lids are polycarbonate. The boxes were made in my windowless woodwork room, which seems appropriate for a totally blind woodworker. 116 x 116 x 65 mm each |
| 53 |
Hunt Board |
The brief was to create a beautiful and challenging piece for my HSC project using both timber and glass. Traditional joints were used throughout construction. Curves and chamfers in the top, and the bottom rail curve were shaped using a hand plane. Top inlay strings were hand cut and matching rebates created using a string inlay tool. A scratch stock was used to form beading on the lower rail, side panels and back. Knobs were hand turned. To finish the unit, three coats of oil varnish were applied. A final cut with 5,000 grit sandpaper produced a deep gloss finish. American Cherry, Rock Maple, African Blackwood , Queen Ebony, White Birch, Glass. 1332 x 463 x 1015 mm |
| 54 |
Ironbark Burl Bowl |
Finished with Livos Oil 420 x 95 mm |
| 55 |
Ebonized Blackbutt Bowl |
Green turned and ebonized Blackbutt Bowl. Finished with Livos Oil |
| 56 |
Camphor Laurel Bowl |
Finished with a food safe oil and wax polish. A crack in the rim has been reinforced/stitched with Waxed Cotton Thread. 320 x 115 mm |
| 57 |
Medal Box |
Australian Red Cedar and Tasmanian Oak. Incorporates a window for award display as well as Certificate and information storage. 360 x 280 x 110 mm |
| 58 |
Butler’s Tray |
Butler’s Tray on old stand This old butler’s tray stand came from our 1905 workshop, prompting my wife’s birthday request for a tray to fit. Australian Red Cedar panels 100+ years old, retrieved from an old Sydney hotel (? Adams), were used. An image in “Australian Colonial Furniture” guided design, and construction proceeded with Bob Howard’s supervision. Finish : – 4 coats of Fine Buffing Oil / Satinproof mix, then wax. 650 x 550 x 800 mm |
| 59 |
Medal Box |
This box is made from Red Cedar to give it an Australiana influence. The top and bottom are lined with 5mm Maroon Felt and has 90 degree hinges. Finished with Semi-Gloss Precat Lacquer 220 x 120 x 50 mm |
| 60 |
Medal Box |
This box has been made from Australian Red Cedar with Huon Pine highlights. The timber was chosen to give an Australiana influence with the Huon Pine relating to a Tasmanian influence. The top and bottom are lined with Black Felt. 220 x 120 x 50 mm |
| 61 | Medal Box Daryl P Lawrence |
This box has been made from Australian Red Cedar and its presentation has been improved by the addition of various Brass Fittings. The Red Cedar gives it an Australiana effect befitting of the medals. The top and bottom have been lined with 5mm Maroon Felt. 220 x 120 x 50 mm |
| 62 | Pot Pourrie Daryl P Lawrence |
Pot Pourrie Turned Bowl This bowl has been turned from part of a burl of an unknown species. It has a Pewter Lid and is quite heavy. It has been finished with pre-cat lacquer. 130 x 130 x 60 mm |
| 63 | Carved Bowl Daryl P Lawrence |
This bowl has been carved from a Mallee Burl and is quite heavy at 3.6 kgs. The spikes on the outside have been retained to indicate what such an item looks like in its natural state. It has been Highly Polished and its natural deep Mahogany colour highlighted. 450 x 300 x 130 mm |
| 64 | Bullock Yoke Daryl P Lawrence |
Bullock Yoke aka Coat and Hat Hanger This Wall Hanging Coat and Hat Hanger has been made from Queensland Maple and has Grey Antique Hooks. It has been finished with pre-cat Lacquer. It has two keyhole hangers on the back to allow it to be hung on the wall. 680 x 150 x 120 mm |
| 65 | Side Table Keith White |
The Inspiration comes from the Art Nouveau period in particular the architectural work of Victor Horta. Made from New Guinea Rosewood with Ebony and Spotted Gum accents it features book-matched top with double tapered laminated legs. The finish: sprayed with lacquer and oil finished by hand. 390 x 390 x 620 mm |
| 66 | Brooch Minky Grant |
Huon pine owl brooch with pyrography signed on back. Hand carved 40 x 100 mm |
| 67 | Brooch Minky Grant |
Japanese Cedar Seahorse brooch with pyrography signed on the back. Hand carved 50 x 110 mm |
| 68 | Bed Side tables Peter Dunn |
Round top side tables made from Tasmanian blackwood with a with a drawer in each. Finished with shellac and wax. 400 x 480 x 620 mm |
| 69 | Dining table BEVEL Peter Stibilj |
The ‘Bevel’ dining table consists of a carefully selected stunning Spotted gum top with an ebonized base of highly figured Spotted gum. 1900 x 950 x 730 mm |
| 70 | Sculpture “COUPLE” Philip Greenwood |
Brushbox and Australian Cedar Two very different characters working together – each noble and strong. 700 x 500 x 600 mm |
| 71 | Xylophone Takashi Nishiura |
1200 x 1200 x 1800 mm |
